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Christie's First-Ever AI Art Auction Earns $728,000, Plus Controversy

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Christie's First-Ever AI Art Auction Earns $728,000, Plus Controversy

More than 5,600 artists signed an open letter protesting the auction, saying that the works used AI models that are trained on copyrighted work.

A representative for Christie's shared a statement about the issue. "From the beginning, two things have been true about the art world: one, artists are inspired by what came before them, and two, art can spark debate, discussion, and controversy," the statement reads. "The discussions around digital art, including art created using AI technology, are not new and in many ways should be expected. Many artists -- Pop artists, for example -- have been the subject of similar discussions. Having said that, Christie's, a global company with world-class experts, is uniquely positioned to explore the relatively new and ever-changing space of digital art: the artists, collectors, market and challenges."

53 comments
  • Cutting out the artist middleman in their money-laundering scheme. What a joke.

  • I enjoy art for the human aspects, the hundreds of musicians performing a single piece together, the incredible talent and skill on display in a photorealistic painting of a person who died hundreds of years ago, or the incredible mind and life of a person writing a moving essay. I don't usually enjoy art for the sake of the object or product.

    AI generated material robs that intangible spirit, floods the world with meaningless content, and as a consequence makes it more challenging to find art. Even when you sort through the muck and see that photorealistic painting, you aren't imagining the monk who painted it, you're looking at the hands thinking I don't know if this is real or not.

    Fortunately that's mainly online for now, you can still go to a concert or museum to confidently see art, you can opt out of the AI content experience. But this sale symbolizes a further erosion of that separation. It seems inevitable that there will be AI "concerts" and "exhibitions" which will physically take space and money from actual artists and further challenge finding enjoyment from art and artists for people like me.

    I understand others enjoy art differently, as a consumable product for example, and those people may not be as bothered by AI content. I do hope those people understand that it does impact other people around them and that the generated material is coming at a cost, if not to them, to those people (and the environment, and the artists).

    • Well said. I think AI "art" is really best considered just a form of entertainment since there is no human perspective put into it. Adam Savage said it best (paraphrasing here) "In order for me to be interested in a work of art it needs to be coming from a point of view. I don't see anything resembling a point of view with AI."

  • This anti-AI propaganda talking point is getting old.

    Value each artist's input at what it is: if there is no input, then it's slop; if there is input, value the input.

    Some works of art, long predating AI, for your consideration:

    • These are great examples of that part of art AI can not capture.

      The first was painted by a donkeys tail in the presence of a legal witness, sent to exhibition under a false name, and when it began to be recognized at the time by critics and media, the artist said "aha! You literally like art that a donkey can make, your taste is terrible and so is popular art".

      The second is a physical can of the artists feces (I don't know if anyone has opened the can to be sure), this time with no explicit agenda. What did the artist mean by this, was it another criticism of art critics, was it a criticism of the commodification of art, or something else entirely?

      The last was made as the artist tried to find a religious experience derived from art. He said with this piece he did. I don't find it particularly compelling, but 100 years ago this rethinking of what art can be was revolutionary enough for Stalin to send him to the camps.

      If you only value art for consumption, yes these are exactly the same as me sitting at the computer pressing generate for a few hours. If any of the context is included in your enjoyment of the art, there is no comparison.

      • They are examples of a simple prompt you can put into an AI, to get similar results.

        One is little more than random noise. You can put this comment into an AI prompt, in the presence of a legal witness, and when people start liking the output, say "aha!".

        The second is an automated process of canning food, that the artist used to can his own feces. Yes, they were real, about half the cans have exploded after being exposed in places when the sun would heat them up, which was part of the artist's plan. Another piece by the same artist is Fiato d'Artista, a balloon blown up and sealed by the artist, that over time has deflated. The "art vs. automation" of both, fall heavily on the automation part.

        The last can be generated with a single sentence prompt to any image generating AI.

        The interpretation you make up to justify a piece, is independent from the means used to generate it... so you have to choose:

        • The interpretation is the art, making all tools a valid option, including AI.
        • The piece itself has to embody some interpretation, making the examples into "not art".
    • ...Propaganda? Cnet?

53 comments