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Just started learning the F barre chord. How was your F barre chord journey?

Hi, I'm a beginner who just started learning the F barre chord.

I can't get string 1 and 2 to ring clearly without applying insane force. Hmm I guess I have to just keep practicing until I can make it ring clearly without much effort.

How was your F barre chord journey? I'm sure experienced players here can enlighten my path.

29 comments
  • I'm a couple years into my acoustic guitar journey and it's still very much a stickler for me.

    Something that massively helped was a friend mentioning I should make sure my guitar was "set up". I took it into a guitar shop and asked and it turns out that on brand new guitars there are often some small adjustments to the neck, bridges and frets that can really improve how hard you have to press for the note. Guitars may warp slightly over time as well depending on their storage, climate etc... so sometimes tweaking can be needed later in it's life. And some people prefer certain tweaks, lower versus higher action. So even if you guitar isn't new it might still need some tweaking for you.

    I'd never heard anyone mention it before my friend did (and not much since) and it made a big difference in my case. I went from slightly dreading my practice sessions to feeling much more enthusiastic. It was just that much easier to play. Might be worth asking about. No idea if it really applies on electric if that's what you're playing.

    Best of luck, I've had a fun ride so far and I hope yours is too!

  • The slight roll to your finger that others have mentioned sounds like pretty good advice to me. I'd also try playing songs that you are already comfortable with in a barred position. For example, playing a classic I-IV-V progression (like G, C, & D or A, D, & E) at the 3rd and 5th fret. There is much less resistance at that part of the neck, and it pulls your hand in closer which can straighten our the muscles in your arm a bit if you have a smaller frame; this makes for less stress for your muscles across your list and the base of your thumb. So, while you develop the technique with less factors fighting against you, you can focus just on that technique, and not on learning a new song, or really feeling like you are having to work on something completely new - just different - which can make for a better mindset as well.

  • I kinda stopped caring about it and over time, on electric at least, it sorta just came along. I think there was just general strength development over time in the index finger as well as learning how to position the bar optimally for your particular finger and the shape of your guitar's fretboard.

    That being said, I'm not sure it's worth stressing over. Unless the kind of things you want to play are all about that kind of sound, bar chords are somewhat overrated IMO. There are other ways to play the F harmony without stressing about that bar and other ways to play chords beyond the E-shape bar chord ... all of which are pretty valuable to learn and might, depending on what you want to play, be a better investment of your time.

    Just in case you don't know what I mean by other ways to play F ... the most direct would be to drop the low F on the low E string but keep all of the other notes. IE, fret like so: "X33211" with the "11" on the B and high-E strings being a mini bar with your index. You can simplify this even further by dropping the note on the A string and just having "XX3211". A nice perk of playing it this way is that the Maj7 is easily available by lifting the index off of the high-E string to play it open. You can also add your pinky on the 3rd fret on the high-E to hit the Maj9, a very nice chord.

    Going beyond that, you can take the open C chord and slide it up the fret board, and don't play the low-E and put a mini bar over the three high strings where the G and high-E strings would be open on the C chord, and you've got a different way of playing major chords. Here again you can not play the note on the A string and just play the four high strings, or not play the high-E string and just play the middle four strings.

  • I'm mostly surprised I've almost never heard anyone complain about F minor, which IMO, 18 years later, is still a pain to play, if you need to play it over and over in a song. Getting the minor third on the G is a lot harder to me than any other common bar chord.

29 comments