‘Emilia Pérez’ struggles to find its voice

From the Saporta Report:

“Emilia Pérez” begins with a choral overture; a prologue characterized by electronic, almost Imogen Heap-style vocals. The screen is dark, and the camera quickly moves in on a band as they play along with the robotic tones, the brims of their hats bedazzled with the sort of lights you might also see adorning the cowboy […]

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