There is a currently a very funny, kind of sad dust-up over Helldivers 2, in which self-proclaimed “anti-woke” gamers have previously heralded it
There is currently a very funny, kind of sad dust-up over Helldivers 2, in which self-proclaimed “anti-woke” gamers have previously heralded it as a rare game where they believe “politics” does not play a factor. Their faith was been shaken by an Arrowhead community manager they believed they found to be (gasp) progressive who was then subsequently harassed, but their head-scratching reading of Helldivers 2 as a “non-political” game is worth examining.
The only thing that makes sense is that these players have the shallowest of surface-level readings of the game. You are a patriotic soldier serving Super Earth. You must kill bugs and evil robots trying to hurt your brothers-in-arms and innocent citizens. There are no storylines to insert progressive causes into, everyone wears helmets so no “forced diversity.” Therefore, no politics.
Of course, this is…wildly off the mark, as Helldivers 2 is about the most blatantly obvious satire of militaristic fascism since the film that inspired it, Starship Troopers.
I wonder if when extreme satire flies over someones head, outside of not consuming the media critically enough, the difference between heavy satire and pantomime can be subtle. A quick example being One Punch Man, I'd categorize that show as a Pantomime of Anime Cliches rather than satire, as while its playing up the ridiculousness of common anime tropes, its clear it's doing so with a full love of the medium, and indeed the tropes its making fun of
I'm a Leftist who watched One Punch Man, doesn't that show imply that gays are rapists and that anyone without a job most be lazy? Not very progressive...
I never got that impression that the two aspects were inseparable. And he is a very exaggerated representation of a gay man, so maybe it's that exaggeration that hints at it making fun of those who think gay people are all flamboyant rapists.
That just made me think of Shaun of the Dead and Hot Fuzz. With Edgar Wright simultaneously: satirizing (at times bordering on parody) the genre; paying homage to the genre; and showing their love of the genre by making an actual really good, high quality film.
The third one of that trilogy is fine, but those first two are near perfect films. You could show either of them to someone who's never watched a cop or zombie movie or whatever, and they would still be able to enjoy them on multiple levels. It's kind of remarkable actually.
I can't really think of many, if any, other films that fit the same criteria. Maybe that new-ish Weird Al "biopic"?