Episode Discussion | Star Trek: Strange New Worlds | 2x09 "Subspace Rhapsody"
Logline
An accident with an experimental quantum probability field causes everyone on the USS Enterprise to break uncontrollably into song, but the real danger is that the field is expanding and beginning to impact other ships—allies and enemies alike.
Can we talk about how great it is that they keep tinkering with the opening credits for the special episodes? Because I love it every time they do. Fukkin acapella man.
Loved it. I was most surprised that the whole cast all had such beautiful singing voices.
La'an's song touched me the most because I'm someone who also doesn't really dare to do the things I'd like to do.
A bit sad that we didn't get a Klingon opera but the alternative was ... well, interesting too. 😄 Also, I kinda hope that Spock solving diplomatic crises with the Klingons by drinking excessive amounts of blood wine will become a running gag.
SNW continues to break new ground really well. This was a really refreshing episode and very well done. I for one loooved this episode.
Alright, I get that musicals are not everyone's cup of tea, but as a person who watched multiple dozens of Broadway musicals, I must say that the songs were really on par with actual musicals. The cast can really sing well -- I expected many great things from Cecile Rose Gooding and wow she did not disappoint. I was very pleasantly impressed by Christina Chong, Rebecca Romijin, Ethan Peck's performances as well.
I think the director made sure to highlight those actors that can sing well and put those that can't sing into secondary positions. Clearly Grammy-Award winning/Tony Award-nominated Gooding was at the center of the story, and they cut off Anson Mount's song, because well, he isn't the greatest singer. They even fully acknowledged that Babs Olusanmokun can't sing in universe as well. :) The ensemble pieces in the teaser and the finale were superb though and was a lot more entertaining than the solo pieces (which I get is probably much easier to rehearse/record and produce).
I loved that the episode intertwined music as a piece of the story, pushed the character arc forward between Spock/Chapel and La'an/Kirk. I am not so much of a sucker for La'an/Kirk but the alternative universe scenes were really a nice touch. The only cringey part was the Klingon K-pop/rap, but I suppose it was intentionally cringey/funny.
Whether you like this musical episode or not, you gotta admit that SNW really boldly goes where no one has gone before.
Where will this stand in the long history of Star Trek gimmick episodes? After all, this is the franchise that gave us "Trials and Tribble-ations", "Take Me Out To The Holosuite", "In a Mirror, Darkly", the OG "Lower Decks", and most recently... "Those Old Scientists". Holy shit, that was just two episodes ago and in between we got the darkest Star Trek thing in years!
Uhura having to be the operator sounds like the most stressful thing to do that doesn't involve imminent danger.
"Even if it's not fully necessary." That basically sums up every contrivance to get Kirk on board.
KORBY ALERT
Ah, spatial distortions, the cause and solution to everything.
The facial acting as they enter musical-land is priceless.
Acapella theme song!
"So... that happened."
"Quantum uncertainty field". That's some Hitchiker Guide type stuff.
Ah, they brought back the Gilbert and Sullivan stuff.
I like how they are hanging a lampshade on just how BIZARRE it is that people sing out their biggest secrets and deepest feelings in musicals.
Good save, La'An.
"Surprisingly beautiful baritone"
It could have been worse for the crew. Imagine if Uhura had broadcast opera into it, then they'd ALWAYS be singing.
Shaxs would suggest blowing it up by ejecting the warp core.
Gratuitous zero-gee is gratuitous.
Oh god, singing Klingons.
Yeah, the Klingons would also like the "let's just blow it up" plan.
Wait were those extras twins?
Apparently the improbability field also affects the lighting of the bar.
Isn't K'tinga the later type of Klingon ship? Ah, screw it, musical rules.
"I don't love rules but I think you're about to break a big one."
This totally is going into Temporal Investigations Kirk file.
CAROL MARCUS REFERENCE
Oh shit, David Marcus reference!
"I'm the Ex" standing as if X in a math question is a good bit of workplay.
Kind of surprised it took this long to give Celia Rose Gooding a full-on solo.
Grammy-Award winning singer!
A grand finale. How meta!
Boy Band Klingons was not on my bingo card.
Lol, playing the TOS theme as a curtain-closer
"You sang about lying to me."
"Sorry, Earworm."
All-and-all, it was a good enough gimmick episode. But it was no "Take Me Out To The Holosuite." ("DEATH TO THE OPPOSITION!")
I didn't think they'd skip the opportunity to give us singing Klingons but the end result was just...wow. chef's kiss
I absolutely love Pike's "exasperated" face. It's possibly a bit overused this season but it cracks me up every single time because it's how I'd probably react if I were in his shoes and it's so unlike how the previous Starfleet ship captains would react, even when the situation fully merited it.
I've come to the conclusion that SNW is the entry point series.
Do you like legal dramas? Perfect, here's a great LGBTQ allegory episode!
Do you like goofy animation like Rick and Morty? Here's the crossover with Lower Decks!
Do you like gritty serious war stories? We're still dealing with the trauma of the Klingon War!
Do you like showtunes? Somehow we pulled that off too! (also Chapel's song is a straight banger)
SNW is the show I'd introduce my friends to in order to get them into Star Trek as a larger thing. I think it's an easier entry point than any other series.
Touching on the actual character moments for a bit here: the events of this episode do not reflect well on Chapel.
She'd been hitting on Spock literally since the beginning of the show, and openly pining after him for most of that time. Four episodes ago, she winds up breaking down in tears explaining to an alien telephone receptionist how much she cares about him. Two episodes ago she is extremely distraught when Boimler accidentally lets slip that Spock is famous in the future, and her relationship with him almost certainly will not last. And now, she gets into a three month fellowship that she didn't think she had much of a chance at, doesn't say a word to Spock until she has no other choice, and then busts out a (involuntary, but reflective of genuine emotion) musical number about how "free" she feels. What the hell.
We already know Chapel has some problems with commitment, but this is a whole 'nother level. Throwing away a relationship she spent most of this show obsessively wishing for, without any apparent consideration for Spock's feelings or non-breakup solutions to spending a couple months apart, is just wild. I'm sure the finale will touch on this with a little more nuance than a musical number was likely to give, but whatever else is said this is not a good look.
Only a minor part of the episode but I enjoyed that the intro was done with mostly vocals instead of the usual. I was absolutely not expecting a different intro after we got one with the Lower Decks crossover.
If I had a nickel for every time Uhura solved a problem by singing at it, I'd have two nickels. That's not a lot, but it's the same number as how many times Chakotay's been lost in the Delta Quadrant.
This was a fun episode. Some bangers, though I agree with some of the people who think some songs could have been shortened. The unexpected Klingon boy band was an amazing gag that didn't overstay its welcome. Overall, I think it's great to have Trek embrace the old-school campiness from time to time.
Anyone else convinced Captain Batel is kinda doomed? Pike got off the relationship trauma fairly easily in this episode.
I found it peculiar how the Klingons were saying there was no honor in the singing—considering how into Opera the can be known to be—up until I heard how they got the most egregious of the autotune.
Ok, a post from someone that really hate musicals and was worried about this episode. So sorry if I will over criticize the episode...
I admit the episode was so fun at the beginning and songs were nice, loved La'an and Una parts they were really good. I was thinking the episode was a banger. I loved so much the opera opening too.
Unlikely it started to lose my attention around on Chapel's song (also because the autotune was so evident in her and I found the Chapel Spock relationship the worst part of the series) and the second part was a little hard for me to follow, the music too was less interesting and even if Uhura has a great voice her solo song was too long and def not my cup of tea, I didn't even understand what was trying to say. It could have worked for me with less songs.
It was interesting I have fun for more than I thought and I laughed so much with Klingons, it was often close to clinginess but it was ok at the end.
For Pike's singing voice, he adopts a kind of Meatloaf/Russell-Crowe-in-Les-Miz style that is exactly the right mixture of masculine and adorable.
The build up to the Klingon Boy Band: We know that Klingons love opera, heightened emotions, spontaneous group singing, and choreography (if you're willing to consider martial arts a form of choreography). La'an even explicitly mentions singing old sea shanties which would seem to be an obvious way to translate the Klingons into musical form. So naturally, I was shocked that the Klingons would not immediately assimilate into their new musical reality. I even told my husband, "I can't believe the Klingons would want this to stop!" And when it hit, everything made perfect sense.
Another amazing episode and a certainly fresh idea for the Klingons with their K-pop, or Kling-pop?
I think they towed a good line on whimsy, emotion and gimmicks and kept it well grounded as character exploration. Let's force everyone to process their season's emotional growth in song!
Also I have to say I love how much focus SNW gives to lower ranking officers. Classic trek always ended up focusing on a few senior officers but this is a proper ensemble number.
Only thing I want more now is this with Elle Cordova doing her Star Trek technoblabble songs in it.
What the heck, this episode must have taken so much effort like 20+ minutes of singing + music (and the writing of the songs as well), and in a good half of those requires choreographed dancing as well, the a capella version of the intro, and a few orchestra versions in the credits
I was grinning almost the entire time for this episode, it was just....fun! And it moved the plot along too! (Although you kinda need to with so few episodes in a season)
I saw a fair amount of skepticism across the Fediverse about how musical episodes are always bad and annoying, to which someone would always respond "well, Buffy nailed it." Apparently the SNW writers feel the same way, because "Subspace Rhapsody" isn't just a homage to "Once More With Feeling," it's a love letter. They may have swapped the demon for a subspace wedgie, but they kept the idea of using music to force the characters to confront their feelings about each other, and they even threw in a bunny callback.
10/10. I hope SNW maintains the tradition of a theatrically silly episode near the end of each season as long as it runs!
Upfront: I love musicals. I have to say this episode is just so creative and original. I think it is one of my all time favorites across all the series. Strange New Worlds has done such a good job bringing back the light-heartedness in a franchise that had become so overly dark and serious - and this is the pinnacle of that effort. Season 2 has just been outstanding.
Kirk and Uhura are real ones for never telling McCoy that Spock had a phase of being proud to be human until he got dumped by Nurse Chapel. He never would have let him live it down.
Fantastic episode! Loved it from cover to cover. I like how we have Spock reverting back to being classic Spock in a musical episode. Arguably it makes this episode one of the most important episodes to canon. Also did Kirk know about Marcus beforehand? I swear he learned about him in Wrath of Kahn but I haven't seen that film in forever.
I love Star Trek, and I love musicals. These are two of my favorite things, and I never thought they should mix. When this was announced, I was very skeptical. I have to say, that they pulled it off, and it was AMAZING! The plot was a bit meh and definitely made to shoehorn in the musical, but the singing really did it for me. "How Would That Feel" (La'an's solo) and "Keep Us Connected" (Uhura's solo) were my favorite songs, and I have listened to them so much today. "How Would That Feel" definitely cemented La'an's place as my favorite character.
I loved the episode overall, but that Klingon fleet should have been commanded by L'Rell herself (though that was an extremely fun way to bring back Bruce Horak without shoehorning the Ghost of Hemmer into it).
I feel like I’m the only person who was SUPER excited when the musical episode was announced, and.. rather underwhelmed by the actual episode. (Except for the a capella theme song. I adored that!) Maybe my expectations were too high, but.. I just didn’t think most of the songs were that good. I need to rewatch it a couple times, maybe it’ll grow on me.
honestly who knew La’an and Uhura would be the main characters this season? And I'm crushing on Chapel and Uhura and La'an right now. This episode only made it worse. Yeah there are three damned handsome guys on the show. But those ladies... might be my favorite of all star trek. La'an's doomed relationship was heartbreaking btw. I knew this was happening with Spock so it didn't hit so hard (I thought they'd last longer). Meanwhile Pike's love (who is also insanely cute with that smile) may be heading for danger now. We need to do a poll to see if the woman on SNW are more loved then the men. And good songs.
The Klingon breakdown in the final song about had me laughing so hard I was almost in tears. I appreciate using the songs to move various character storylines forward. It feels like everyone ended the episode in a much better place, outside of Spock. ...and maybe M'Benga...he didn't seem thrilled with the singing, though he certainly had some fancy footwork during the final song.
SNW playing with the format we all know and love continues to pay off.
Trek has a very, very long history of the space anomaly of the week causing hijinks to ensue. And these hijinks were epic. Especially considering the sheer amount of raw broadway-class talent SNW has.
And the foreshadowing with the drinking-song-belting, sea-shanty-and-opera-loving Klingons getting pissed off about the "we have to sing everything" bit was hilarious (and Pike's "WTF" face was the icing!)
What an absolute gosh darned delight that was. I love musicals but I tend to be pretty cynical about musical episode of TV shows, but I think that's probably the best one I've ever seen? It helps that a. its still a coherent episode with a plot about the musical itself, b. its effectively paying off three or four different emotional character arcs we've already spent a lot of time with and c. the music is actually really well written both lyrically and compositionally
thoughts after rewatch. This episode is solid. The second gimmick episode this season BUT like the last they keep the story lines going. I mean important stuff is dropped in this one. Some earned heartbreaker stuff (Discovery crew did cry a lot but I never felt it was earned. Not the case here. Some of the heartbreak feels real. Chapel trying to wash away her love for Spock is more complex then her just dumping him.)
So, the time has finally come. I want to mention that I'm not a huge fan of musicals, this translates to that tend to only watch them if external circumstances push me to watch one and I only enjoy if they're really well done. Well, circumstances have pushed me, and... it was meh.
I thought the songs weren't particularly memorable, the productions were a bit underwhelming and the dancing nearly non-existent.
I'm a fan of musicals and Star Trek. This episode was definitely one of the most unique I've ever watched. It was original, inspirational and fun. And as an added bonus, we received a collection of beautiful songs.
Ok I love musicals so was definitely looking forward to this one. Did anyone else find it a little disappointing?
There was a bit too much moping and not enough joy, for me. That's what makes a good musical episode so great, they can progress the plot while giving us an over-the-top fun time. But instead we had everyone singing a sad song and then one or two upbeat numbers, none of which were particularly catchy or entertaining. Like, if you've seen it even just once or twice years ago like I have you can probably remember some of the songs from the OG Buffy episode, but we watched this last night and by the end I genuinely couldn't even remember the supposed grand finale song.
Boy band Klingons made the wait worth it, but I spent most of this episode spaced out a bit and just half-listening rather than watching which is the first episode I can say that about.
Shoutout to whoever decided to redo the theme music though, that was inspired.
Also the talk about bunnies has to be a reference to Buffy, right?
So, I'm a good public for this I suppose, since I loved Mamma Mia, and am a real fan of rock/metal operas. And I think this episode is... surprisingly decent?
I mean, the singing was surprisingly good, even with autotune (I mean, if you ever want to hear a real musical disaster, try Pierce Brosnan in Mamma Mia ; everyone here is pretty much excellent compared to that), so kudos to crew. The music was uneven : some parts were quite bland/uninspired, but I very much loved the common theme of "I'm ready"(catchy!)/"I'm the X"(lovely!) and the two widely different feelings.
On the plot side, you can feel they are trying very hard to brush over how nonsensical this musical thing is. And, somehow, I'm glad that not much progress happens here : you can summarize what happens as "La'an tell Kirk about the time-travel event, Spock gets dumped for a study program, Pike have a minor fight. And musical subspace shenanigans.", which will sure come in handy if you're allergic to musicals and (re-)watch the series.
But yeah, it was fun. The "La'an cut the captains couple argument in the middle of signing", and the boys-band/K-pop klingon were unexpected.
Overall, I think this episode somewhat suffer the comparison with the Lower Deck crossover. The s02e07 was a real Star trek story : if Lower Deck wasn't a thing, "These old scientists" would still be a decent story, it's the meta element which push it into the land of deep sillyness (even when, like me, you don't really like Lower Decks). "Subspace rhapsody" is... a musical. It's good fun! But I was hoping for a bit more.
I enjoyed the episode well enough as a gimmick. It was clear the cast really enjoyed themselves and I’m glad we get episodes like this.
I am a fan of musicals and musical theatre. While it’s nice to see them have a go, it certainly is one of the musicals of all time. Nothing impressed me. It wasn’t particularly inspiring or interesting. Forcing that dreadful auto tune on several of the characters felt even worse. It would have felt charming for them to not necessarily nail every note. In the end, I now see in retrospect why the marketing for this episode contained none of the musical numbers; the executives might have thought it would put people off.
I never mind when a good Star Trek show does an average episode because I’m always happy to see more of the characters I love.
After last weeks episode, which in my opinion could be one of, if not the best Star Trek has done in 30 years, I feel like they can take the small L here.
Pretty silly episode. I'm not a fan of musicals, and I was dubious going in, but it was fun. They managed to make it as good as a musical could be for my tastes. I'm happy it was made, and I'm happy to have seen it. That's about the highest praise I could give for something like this.
Looks like they even made a soundtrack for this, and it is on all major streaming services. Some new tunes for my musical playlist. Seriously loved this episode.
I loved the episode. I’m not a huge fan of American musical theatre, but this really worked for me and my partner.
The tone was just right and the songs were well matched to the skills and characters. It’s delightful.
It was also really nice to come to this community and soak up all the positivity. I really needed a place to come like this after watching episodes. As we see it a bit later on CTV Sci-fi Channel in Canada, I can often feel blasted with fan backlash when I check out people’s views after watching.
Yes, there are a few folks here for whom this isn’t there kind of thing, and they are letting us know. We’ve not however seeing brigading negativity that is cropping up on some other social media. I can appreciate that some want their Trek more dignified and serious, but the ‘worst thing ever’ hyperbole is a bit hard to take when Threshold and Code of Honor exist.
That was hard work... Can't fault the singing, but after 10 minutes it all felt very tedious.
I don't care about the love affairs of the Enterprise. I was finding all the emo, pining, lovesick, will they, won't they crap tedious well before this.
Drummer lites Kirk crush feels especially forced. How many times are they going to force him into an episode?! he serves on a different ship ffs
Incidentally I loved 'Once more with feeling' (inspite of Gellars singing)
This was such a fun episode. I so enjoyed all of the male and female vocalizations. It was as campy as the TOS episodes could sometimes be, but I loved it. Definitely on my rewatchable episode list when in a light mood.
I love musicals and I love Trek so I was hoping I would love this episode, but I just didn't, and I think it was mostly because the music was... bad? It wasn't catchy, it wasn't fun, there was not one single legitimate bop during the whole episode. Uhura's last line about an earworm struck me as a sour note because... no. Not a single earworm to be had in the whole thing. I couldn't hum a single song from that episode and I watched it less than an hour ago. The only number that had any spark to it at all was Chapel's number at the lounge, and it was barely a spark.
Even Una's alleged Gilbert and Sullivan riff was barely, barely recognizable as a take on G&S. It was to G&S as a brick spraypainted orange is to a glass of refreshing orange juice. You're gonna do G&S in a musical episode and not do patter? Come on, son.
I just can't get behind this episode, and I was truly prepared to be thrilled. I mean the cast tried hard, but in a musical the music has to be good, and this wasn't.
In between the first watch earlier this week and a rewatch tonight, I've listening to and humming the songs over and over again. I don't know why people say the songs aren't catchy. "Status Report" is sooo catchy, and it even has a little reprise with the "Apologies" at the beginning of the "Private Conversation" which is also very catchy actually.
"How Would That Feel" is beautifully rendered. I've started to listen to other Christina Chong's songs now, and they are pretty good (listen to her "Twin Flames").
Also, in the last seconds of the episode we had Uhura humming a theme. The closed caption says "Uhura humming 'Keep us connected'", which I believe is incorrect. She is humming the opening of Chapel's "I am Ready" and Spock's "I am the X", not Uhura's "Keep us Connected".
@ValueSubtracted Delightful episode. I laughed, I cried, I (would have) bought the t-shirt. I have really enjoyed some of the risks they've taken this season, this one and the Mashup with Lower Decks and punctuating with the powerful war episode. I've looked forward to Thursdays.
I don't generally enjoy musicals (or rather, shows that aren't musicals but then do a random episode as a musical) but SNW definitely did it right! And I'm glad I didn't skip it since I considered doing so.
I was pretty sure they were going to nail this as soon as it was announced. Treks always played around with music and characters with musical aptitude so this was inevitable eventually.
I'm not really a musical fan unless it's something I'm already interested in like this or, say, Pick of Destiny, thought this was great though, simple sci-fi justification, then all in on the concept. Thought the songs and "musical rules" were a good way of packing an episode with dense character work across the whole cast in an era when you only have ten episodes a year to play with.
The story and plot points were good, but SOME of the songs where maybe a minute too long for my taste.
Any song with Spock is good, but the autotune... Yikes. Lol
No, sorry. Very bad. Only Rose-Gooding and Chong could sing, the autotune was obvious and jarring for all the others. The songs weren't memorable (I confess I really dislike the modern US showtune style, but it can at least be catchy — this wasn't), the choreography and even the editing was shoddy. The first episode of Trek, other than Enterprise, that I've wanted to switch off.
someone watched The Magicians and said, “Hold my Romulan ale”
soo… for anyone wondering, the music is great. unlike other shows with musical episodes, the music is all original and written/performed of the episode (although I didn’t see Lt. Cmdr. Auto-tune listed in the credits…). It’s plot appropriate, and not shoehorned-in or overdone. There’s a great tone balance, and it comes off like a great American stage musical. I had serious doubts regarding whether they could pull it off… but they did. It was cute, clever, and fun.
I’m a trekkie of the old guard who abso-fucking-loutley 🔥HATES🔥 DSC for shitting down the throat of canon (and just being terrible), but, but I’ve been giving SNW a fair shot. S1 was okay, but S2 has been more promising— HOWEVER, these last few episodes have been very Star Trek, and in new, innovative ways that are refreshing and, dare I say… fun? But, also, serious when they SHOULD BE.
Season 2 of Strange New Worlds is just great, and I guess someone at Paramount is finally listening to all of the screaming from Trek fans about the fire hose of diarrhea that’s been blasting at us so far, and decided to put out some quality content at long last. THANK GOODNESS, because this? This is awesome!
I think Strange New Worlds is the best Star Trek show made so far. Every season they seem to have 9 amazing episodes and one so cringe I end up fast forwarding through the whole thing. This musical one was the low point of the season and the series, just like that word fantasy ones they did in season 1.
someone watched The Magicians and said, “Hold my Romulan ale”
soo… for anyone wondering, the music is great. unlike other shows with musical episodes, the music is all original and written/performed of the episode (although I didn’t see Lt. Cmdr. Auto-tune listed in the credits…). It’s plot appropriate, and not shoehorned-in or overdone. There’s a great tone balance, and it comes off like a great American stage musical. I had serious doubts regarding whether they could pull it off… but they did. It was cute, clever, and fun.
I’m a trekkie of the old guard who abso-fucking-loutley 🔥HATES🔥 DSC for shitting down the throat of canon (and just being terrible), but, but I’ve been giving SNW a fair shot. S1 was okay, but S2 has been more promising— HOWEVER, these last few episodes have been very Star Trek, and in new, innovative ways that are refreshing and, dare I say… fun? But, also, serious when they SHOULD BE.
Season 2 of Strange New Worlds is just great, and I guess someone at Paramount is finally listening to all of the screaming from Trek fans about the fire hose of diarrhea that’s been blasting at us so far, and decided to put out some quality content at long last. THANK GOODNESS, because this? This is awesome!
Nope, can’t do it. I was afraid of the LD crossover but I got through it. But this, I can’t watch it. I got through a couple minutes and had to turn it off.